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RENI, Guido
The Penitent Magdalene dj
1635
Oil on canvas
Walters Art Gallery, Baltimore
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RENI, Guido
St Mary Magdalene
1633
Oil on canvas, 234 x 151 cm
Galleria Nazionale d'Arte Antica, Rome
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RENI, Guido
Joseph and Potiphar's Wife
c. 1631
Oil on canvas, 227 x 195 cm
Pushkin Museum, Moscow
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RENI, Guido
The Death of Cleopatra
mk61
c.1635
Oil on canvas
110x94cm
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RENI, Guido
Atalanta and Hippomenes
nn07
c. 1612
Oil on canvas, 206 x 297 cm
Museo del Prado, Madrid
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RENI, Guido
The Glory of St Dominic
1613
Fresco
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RENI, Guido
Salome with the Head of Saint John the Baptist
1639-1640
Oil on canvas
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RENI, Guido
Recreation by our Gallery
mk79
About 1620
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RENI, Guido
Recreation by our Gallery
mk79
1631
Prais
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RENI, Guido
Recreation by our Gallery
mk79
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RENI, Guido
The Massacre of the Innocents
mk86
1611
Oil on canvas
268x170cm
Bologna,Pinacoteca Nazionale
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RENI, Guido
The Baptism of Christ
mk86
c.1623
Oil on canvas
263.5x186.5cm
Vienna,Kunsthistorisches Museum
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RENI, Guido
The Massacre of the Innocents
mk156
c.1611
Oil on canvas
268x170cm
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RENI, Guido
The Rape of Helena
1631
Oil on canvas
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RENI, Guido
The Gathering of the Manna
1614-15
Oil on canvas,
280 x 170 cm
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RENI, Guido
Reclining Venus with Cupid
c. 1639
Oil on canvas,
136 x 174 cm
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RENI, Guido
The Coronation of the Virgin
nn09
1626
Oil on brass
73x52.5cm
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RENI, Guido
Ecce Homo
c. 1639 Oil on canvas Pinacoteca Nazionale, Bologna
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RENI, Guido
The Massacre of the Innocents
mk244
268x170cm
Oil on canvas
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RENI, Guido
The Rape of Dejanira
259 x 193 cm Mus?e du Louvre, Paris This painting belongs to the cycle of Hercules, intended for the Duke of Mantua. The artist applies successfully the study of the human body, blending a naturalistic touch with his passion for Greek statues. The joyful ardour which is expressed on the face of the young centaur carrying off Dejanira should be noted. Artist:RENI, Guido Title: The Rape of Dejanira, 1601-1650, Italian , painting , mythological
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| RENI, Guido
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Italian Baroque Era Painter, 1575-1642
Italian painter, draughtsman and etcher. He was one of the greatest and most influential of the 17th-century Italian painters, whose sophisticated and complex art dominated the Bolognese school. A classicizing artist, deeply influenced by Greco-Roman art and by Raphael but also by the mannered elegance of Parmigianino's paintings, he sought an ideal beauty; his work was especially celebrated for its compositional and figural grace. In his religious art he was concerned with the expression of intense emotion, often charged with pathos; according to his biographer Malvasia, he boasted that he 'could paint heads with their eyes uplifted a hundred different ways' to give form to a state of ecstasy or divine inspiration.
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